May Prompt – Shame Swap!

Seeing as how its already May 10 and we’ll have a shortened Shame cycle this month, I wanted to do something completely different. If it sets your Shameful hearts afire, that’s great and maybe we’ll do it again! If not, we’ll toss this into the bin for misfit ideas and forget it ever existed. You’re going to have to follow me on this idea. Ready?

I want you to find a friend. Yes. You need friends for this exercise. You’ll also need to communicate with your friend. Once you have that friend, you’ll swap Shames! You’ll watch their most favorite movie that you haven’t seen. They’ll watch your most favorite movie that they haven’t seen.

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Got it?

For example, let’s say my “friend” has a Top 100 list on Letterboxd.com. I scan his list and note that the first movie on this list that I haven’t seen is his 12th favorite movie, Yankee Doodle Dandy (1942). That’s my pick.

Now, my “friend” scans my Top 100 list on Letterboxd.com and recognizes his first unseen movie at #15 — Let It Ride (1989).

He watches Let It Ride and I watch Yankee Doodle Dandy.

Any questions? Once you’ve watched you’ll craft a nice little writeup and share it with Cinema Shame by tagging us on Twitter or emailing the link to cinemashame@gmail.com.

Use the following images to spread the Shame!

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A World of Pain–April shame prompt

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The April shame prompt was to watch and report on a film shown at the 2018 Turner Classic Movies Film Festival. Now this is an event in which I envy all who attend, since I probably never will. But I perused the list and knew right away which movie I had to see: The Big Lebowski. I have had no end of shame over not knowing anything about this movie, and never getting the cultural references that everyone else seems to get. So I got some popcorn, some raisinets, and settled in to learn something about The Dude, and why he abides. I had high hopes, as I am never disappointed in anything I see Jeff Bridges do.

 

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Hey, careful man, there’s a beverage here

 

The coolest thing about this movie is that it is impossible to put it into a slot. Some movies are dead on Noir, Action, comedy, horror, and so forth. This one was a mixed bag of tricks that surprised me. Loved it. I give it a four out of five stars, which is very good for me as I never give anything five except the movies I could watch over and over and never get tired of, like The Third Man, Groundhog Day, and The Big Sleep. Down-side? A bit frequent on the f-bombs, more than my taste, and a pedophile, but then who didn’t deal with pedophiles in the late 90’s?

It was all part of it–the sexually ambiguous 90’s. Nothing clear and standing out like the 50’s where you knew what was morally ‘right’ to society and what you were supposed to do. You knew your role. The 90’s had slackers and hackers, terrorists and sexual predators. Yeah, I know, every era has had them. But now the general public was aware, and bothered–and I would maintain, titilated by the whole situation we’d found ourselves in. But then, this is not an analysis sort of movie review. I really hate those. You know the ones that dig into Nietzsche and Freud and tell you what to think about film history. I know what I think, and I know what I like. I like movies that don’t look like every other movie–and surprise me.

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Speaking of The Big Sleep, I did not expect this movie to feel like a noir film. The premise seemed silly to me. Not that silliness puts me off. I love it. But I thought it would be a straight comedy. It totally wasn’t. What I like about the noir films that have caught my attention is their ability to tell a story and keep me engaged, without necessarily putting closure on the plot. Like life, you finish watching the movies knowing that life will go on with those characters, as it does for us.

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Mark it zero!

 

Oh, and there are femme fatales, of which this movie has two, depending upon your view.

The noirs of the 40’s were pulpy and fiction-y, and the moment and atmosphere felt more important than the plot. Like Raymond Chandler. Oh dear, I do love his writing. I know, I know, it is not Shakespeare. It is not even Ian Fleming or Grisham. It had it’s own style and is very quoteable, even by those who say they don’t like pulp fiction. But I have digressed from The Big Lebowski. The Dude. A lazy-ass sonofabitch who goes to the grocery store at the start of the movie and writes a check for sixty-nine cents.

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Which brings me to my final point about this film, and what I liked about it the best. The running gag, or point, or philosophy, if you must about the rug. The Dude brings it up at the most infuriating of times, to some, seeming to be a minor issue, this rug he feels ought to be replaced by the older, crippled, mega-wealthy Lebowski. I found it funny, odd, and something like I would do. After all, who wants to live in a world, where someone can just walk into your place and piss on your rug, with no consequences?

Well that was enough for me, and alone made the film entertaining, even without the bowling, the white russians, the nihilists, and the kidnapping. But maybe you feel differently. Maybe this film didn’t do it for you, or you prefer to see something deeper into the plot.

Yeah, well, you know, that’s just like, uh, your opinion, man.

your opinion

 

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You can also read me at  Are You Thrilled
or come and say hello to me on Twitter at @areyouthrilled for poetry and artsy stuff or @movielovebogart for movies and television

 

April Shamedown

Due to the Turner Classic Movies Film Festival and related shenanigans, the Shamedown is a little tardy this month, but we’ll get things back on track forthwith. Thanks to all of our April contributors and moviewatchers! If we missed any of your posts, please send us the link at cinemashame@gmail.com or tag us on a tweet featuring your link.

April Prompt: Movies from the 2018 TCMFF

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@movielovebogart abides with a first time watch of The Big Lebowski -https://cinemashame.wordpress.com/2018/05/10/a-world-of-pain-april-shame-prompt/

@007hertzrumble saddles up Sergio Leone’s Once Upon a Time in the Westhttp://thirtyhertzrumble.com/once-upon-a-time-in-the-west-cinema-shame/

 

Shamedown:

@RaquelStecher overcomes some old TCMFF-related SHAME! with a first-time watch of Fiddler on the Roof — http://www.outofthepastblog.com/2018/05/cinema-shame-fiddler.html

@Realweegiemidget Midget watches a non-Bond Roger Moore classic North Sea Hijack (aka Ffolkes) — https://weegiemidget.wordpress.com/2018/04/19/north-sea-hijack-1980/

@007hertzrumble finally embraces the concert film/performance art that is Stop Making Sensehttp://thirtyhertzrumble.com/stop-making-sense-cinema-shame/

@TakingUpRoom goes deep sea diving with Voyage to the Bottom of the Seahttps://takinguproom.wordpress.com/2018/04/12/voyage-to-the-bottom-of-the-sea/

 

Podcast:

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CinemaShame goes to the Turner Classic Movies Film Festival –https://cinemashame.wordpress.com/2018/05/02/episode-11-tcmff-2018-raquel-stecher-jessica-pickens/

Episode 11: TCMFF 2018 / Raquel Stecher & Jessica Pickens

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A very special on-location episode: Raquel Stecher, Jessica Pickens and James talk about their most anticipated first-time watches from the 2018 Turner Classic Movies Film Festival in Los Angeles, California. We move on to tank tops, golden age Hollywood dinner parties, and attempt to eliminate “classics” they’d like to see taken down a peg while elevating something worthy of greater adoration.

Subscribe on iTunes / Stitcher Radio

Direct Download (right click, save as): http://traffic.libsyn.com/cinemashame/CinemaShame_TCMFF.mp3

CREDITS:

Talking Heads:

James David Patrick (@007hertzrumble) – Attended his fourth TCM Film Festival in 2018.

Raquel Stecher (@raquelstecher) – Attended her sixth TCM Film Festival in 2018. Blogs about classic film at outofthepastblog.com.

Jessica Pickens (@hollywoodcomet) – Attended her fifth TCM Film Festival in 2018. Blogs about classic film (especially musicals!) at cometoverhollywood.com.

Clips Contained in this Podcast:

“TCM Intro” (circa 1995)

Tina Turner in Mad Max Beyond Thunderdome

Robert Osborne and Alec Baldwin introduce Fail Safe.

Ben Mankiewicz introduces Grand Prix.

Trailer for Sweet Sweetback’s Baadasssss Song

NCAA March Madness Theme

Paul Newman in The Sting

Dean Martin, Vincent Price and Ken Lane @ the Bar Galacto

Maureen O’Hara and John Wayne in The Quiet Man

Shirley MacLaine and Laurence Harvey in Two Loves

Flying monkeys in The Wizard of Oz

A clip from The Reluctant Saint

A clip from The Locket

Michael Schlesinger discusses SH! The Octopus on Trailers from Hell!

“Springtime for Hitler” – from Mel Brooks’ The Producers

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Recorded on April 26th, 2018. Copyrights are owned by the artists and their labels. Negative dollars are made from this podcast.

April Prompt – TCM Film Festival

For the month of April, Cinema Shame will be focusing on the films shown at the 2018 Turner Classic Movies Film Festival. The festival will be held from April 26th through April 29th in Los Angeles, CA. (Our very own @007hertzrumble will be in attendance with a few Cinema Shame buttons to hand out!)

Here is a link to the list of films being shown at the festival http://filmfestival.tcm.com/programs/. The festival offers a large variety of films, many of which are widely available for home viewers. We have a healthy number of contributors attending the festival this year and look forward to getting updates on their own Cinema Shame conquests on location. If you are planning to attend, let us know by tweeting us at @CinemaShame or sending us an email at cinemashame@gmail.com.

When blogging about your First-Time Watches featured at this year’s TCMFF, use one of the below banners to link back to this page to help spread the Shame. Happy Home Festivaling!

Here’s the current festival lineup, though more films will be announced when the full schedule is released… any… minute… now…

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2018 TCM Film Festival Lineup (as of 4.15.18)

The Adventures of Tom Sawyer (1938)

Animal House (1978)

The Big Lebowski (1998)

The Black Stallion (1979)

Blessed Event (1932)

Bull Durham (1988)

Bullitt (1968)

The Charge of the Light Brigade (1936)

Create from the Black Lagoon (1954)

Detour (1945)

The Exorcist (1973)

Fail-Safe (1964)

Finishing School (1934)

Gigi (1958)

Girls About Town (1931)

Grand Prix (1966)

Hamlet (1948)

A Hatful of Rain (1957)

Heaven Can Wait (1978)

His Girl Friday (1940)

How to Marry A Millionaire (1953)

I Take This Woman (1931)

Intruder in the Dust (1949)

Kiss Me Deadly (1955)

Kramer Vs Kramer (1979)

Leave Her To Heaven (1945)

A Letter to Three Wives (1949)

The Lost Weekend (1945)

Love Finds Andy Hardy (1938)

Maurice (1987)

The Merry Widow (1934)

A Midsummer Nights Dream (1935)

The Miracle of Morgan’s Creek (1944)

Mr. Smith Goes to Washington (1939)

Murder on the Orient Express (1974)

My Brilliant Career (1979)

Night of the Living Dead (1968)

None Shall Escape (1944)

The Odd Couple (1968)

Once Upon a Time in the West (1968)

Outrage (1950)

The Ox-Bow Incident (1943)

Park Row (1952)

The Phantom of the Opera (1925)

Places in the Heart (1984)

Point Blank (1967)

The Producers (1968)

The Raven (1963)

The Right Stuff (1983)

The Roaring Twenties (1939)

Romeo and Juliet (1968)

Scandal: The Trial of Mary Astor (2018)

Scarface (1932)

The Set-Up (1949)

The Sea Wolf (1941)

Show People (1928)

Silk Stockings (1957)

Sounder (1972)

Spellbound (1945)

Stage Door (1937)

A Star is Born (1937)

The Story of GI Joe (1945)

Strangers on a Train (1951)

Sunset Boulevard (1950)

Sweet Sweetback’s Baadasssss Song (1971)

The Taking of Pelham One Two Three (1974)

The Ten Commandments (1956)

THEM! (1954)

This Thing Called Love (1940)

Three Smart Girls (1936)

Throne of Blood (1957)

To Have and Have Not (1944)

To Whom It May Concern: Ka Shen’s Journey (2010)

Tunes of Glory (1960)

When You Read This Letter (1953)

Where the Boys Are (1960)

Wife Vs. Secretary (1936)

Will Success Spoil Rock Hunter? (1957)

Windjammer: The Voyage of Christian Radich (1958)

Witness for the Prosecution (1957)

Woman of the Year (1942)

The World of Suzie Wong (1960)

The World’s Greatest Sinner (1962)

 

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March Roundup

Thanks to all our contributors for their discussions during the month of March. Below is a list of the contributors, the films they discussed and links to their posts. If I forgot to mention your contribution reach out to us through twitter at CinemaShame or email us at cinemashame@gmail.com.

Maaarrrggch Statement

@BNoirDetour – The Sea Wolf – https://bnoirdetour.wordpress.com/2018/03/18/the-sea-wolf-cinema-shame-for-march/ 

@deacon05oc – The Count of Monte Cristo – https://letterboxd.com/deacon05oc/film/the-count-of-monte-cristo/

@Campbelldropout– The Adventures of Robin Hood – https://cinemashame.wordpress.com/2018/03/31/the-adventures-of-robin-hood/

Other March Statements

@RaquelStecher – The Grass is Greener – http://www.outofthepastblog.com/2018/03/the-grass-is-greener.html

@TakingUproom – Bridget Jones’s Baby – https://takinguproom.wordpress.com/2018/03/23/bridget-joness-baby/

TV Shame

@realweegiemidge – Knots Landing – https://weegiemidget.wordpress.com/2018/03/26/knots-landing-1979-93/ 

The Adventures of Robin Hood

For March’s prompt I picked 1938’s “The Adventures of Robin Hood.” My first Errol Flynn film, well potentially my second if I count Cary Elwes performance as Westley in “The Princess Bride” who seems to be paying homage to Flynn’s acting. I went in completely blind, well as blind as you can be with the story of Robin Hood. Even though I knew the overall story the film was still a joy to watch. I was surprised by the film’s history and was shocked about it receiving a Best Picture nomination. Danny Perry thought it deserved the honor of Best Picture status over “You Can’t Take it With You” in his Alternate Oscars book. I had somehow completely missed this classic film, even though it was placed in the National Film Registry in 1995. Every aspect of the film is remarkable, the only part I’ve felt underwhelmed with was the score, which won an Oscar. I view that as a failure on my part as I’ve always struggled with film scores that were done prior to the mid 1950s. With its status as a classic film a lot has been written about it. I’m going to stick to the one part I thought was the most valuable part of the film and that honor goes to Errol Flynn. This guy was amazing as Robin Hood, the flair, the athleticism, the cockiness, he showed these and a variety of other attributes throughout the film. It’s an action/adventure/swashbuckling film, how much acting is really needed in these type of genres, you mainly let the action do all the work. Flynn puts in the work for this role and it’s probably the major reason this film is considered a classic.. There are two specific scenes that really show his acting range. First is the scene at the archery contest, even though he knows it’s a trap, his hubris and his infatuation with Marian get the best of him. Flynn acts the scene with such skill, as a viewer you can witness him analyzing the situation, he knows he is caught but the opportunity to be close to Marian is too strong. The second scene showing off Flynn’s acting ability is when Robin Hood is being hauled to his execution, the look on his face is one of despair, scoping the area for a potential escape route but slowly realizing he has nowhere to go. This mood is held until Robin gets up to the gallows and sees his men in the crowd. Creating a quick transformation that goes from despair to hope. This is done within a second, involving a change in facial expression and moving to an upright posture, the tone quickly changes which builds excitement within the scene. I’m giving lot of credit to Flynn but some of his co-stars deserve some credit. The chemistry shared between Flynn and Olivia de Havilland adds a raw emotion to the relationship in the film, which heightens some of the later scenes.. At first she despises Robin but slowly that attitude changes, and not just over one scene but throughout the movie, her dislike of him slowly turns into attraction. While the attraction includes personal attraction, part of her falling for Robin is related to his cause of helping the poor. That aspect of building characters seems so simple but seems so rare in films. Usually it’s at the drop of hat characters will switch sides or fall for another character. The romance between Robin and Marian builds slowly which adds depth to the story.

 

If you haven’t seen “The Adventures of Robin Hood” I highly recommend to put this on your watch list in the near future. I purchased the Blu-ray which has some nice features, especially one about Technicolor and a making of feature on the film. Errol Flynn will be go-to in the future. This year I will be adding “Captain Blood” to my Cinema Shame list, which is what put him on the radar for the Robin Hood role.

If you want to read more about “The Adventures of Robin Hood” I recommend @awolverton77 post about a recent screening: https://journeysindarknessandlight.wordpress.com/2018/03/02/the-great-movies-the-adventures-of-robin-hood-1938/.