Raging Bull / Travis Sentell

Screenwriter and author Travis Sentell goes toe-to-toe with Martin Scorsese’s Raging Bull.

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Direct download (right click, save as): http://traffic.libsyn.com/cinemashame/DorisDay.mp3

CREDITS:

Screenwriter and author Travis Sentell goes toe-to-toe with Martin Scorsese’s Raging Bull.

Subscribe on iTunes / Stitcher Radio / Spotify

CREDITS:

Talking Heads:

James David Patrick (@007hertzrumble) – Punch drunk for boxing podcasts

Travis Sentell (@travissentell) – Once baptized our host with a super soaker

 
Music Contained in this Podcast:

Preacher Boy – “Shamedown”

The Price is Right Theme

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Recorded in October 2019. Copyrights are owned by the artists and their labels. Negative dollars are made from this podcast.

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The Doris Day Rememberathon

I invited some friends to come on the Cinema Shame Podcast to celebrate the life and work of Doris Day. We discuss some of her personal history and many of her films, most notably It’s a Great Feeling, Starlift, Calamity Jane, Love Me or Leave Me, and Pillow Talk. I’ve cut in many of her wonderful songs and an interview with Robert Osborne on her 90th birthday.

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Direct download (right click, save as): http://traffic.libsyn.com/cinemashame/DorisDay.mp3

CREDITS:

Talking Heads:

James David Patrick (@007hertzrumble) – Really likes Caprice

Alan Hait (@alanhait) – #OldMovieWeirdo and #TCMParty denizen

Danny Reid (@PreCodeDotCom) – Lord of the Pre-codes.

Jessica Pickens (@HollywoodComet) – Writing about Musicals at Comet Over Hollywood since 2009. 

Raquel Stecher (@RaquelStecher) – Classic and indie film writer. 

Clips Contained in this Podcast:

Doris Day – “Que Sera Sera”

Doris Day on the Tonight Show with Johnny Carson 1974

It’s a Great Feeling Trailer

Doris Day – ‘It’s a Great Feeling”

Robert Osborne interviews Doris Day on her 90th 🎂 

Calamity Jane trailer

Starlift trailer

Clip from Dr. Goldfoot and the Bikini Machine

Caprice trailer

Doris Day – “S’wonderful”

Robert Osborne introduces Love Me Or Leave Me on TCM 2015

Love Me Or Leave Me trailer

Doris Day – “10 Cents a Dance”

Pillow Talk trailer

Bells are Ringing trailer

Preacher Boy – “Shamedown” <— Check out Preacher Boy’s music here

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Recorded in May 2019. Copyrights are owned by the artists and their labels. Negative dollars are made from this podcast.

2001 / Stephanie Crawford

Stephanie Crawford returns to the Shame to fulfill her 2001: A Space Odyssey promise (and thereby transcend her human form). 

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CREDITS:

Talking Heads:

James David Patrick (@007hertzrumble) – Space Baby believer.

Stephanie Crawford (@scrawfish) – Has now touched the monolith.

 
Music Contained in this Podcast:

Preacher Boy – “Shamedown”

Prince – “1999”

Berlin Philharmonic Orchestra – “Also Sprach Zarathustra”

Ray Stevens – “Thus Cracked Henrietta”

2001: A Space Odyssey Shop

2001 – 4K/BDDVD

Soundtrack: 2001 Soundtrack

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Recorded in February 2019. Copyrights are owned by the artists and their labels. Negative dollars (and sanity) are made from this podcast.

Episode 19: TCMFF 19 / Jessica Pickens

“Live” from the Turner Classic Movies Film Festival with Jessica Pickens (@HollywoodComet).

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CREDITS:

Talking Heads:

James David Patrick (@007hertzrumble) – 5th Turner Classic Movies Film Festival, was the holder of ticket #1 for Out of Sight in 2015.

Jessica Pickens (@HollywoodComet) – 6th Turner Classic Movies Film Festival, doesn’t just watch musicals! True story.

 
Music Contained in this Podcast:

Preacher Boy – “Shamedown” <— Check out Preacher Boy’s music here

The Marvelettes – “Mr. Postman”

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Recorded in April 2019. Copyrights are owned by the artists and their labels. Negative dollars are made from this podcast.

Episode 17: Rocky Part 3 – Creed / Raquel Stecher

Raquel Stecher returns to complete Rocky’s saga with a conversation about Creed and Creed II. We discuss fathers and sons, the disappearance of the boxing community and TRAINING MONTAGES! 

Subscribe on iTunes / Stitcher Radio

Direct Download (right click, save as): http://traffic.libsyn.com/cinemashame/Creed2.mp3

CREDITS:

Talking Heads:

James David Patrick (@007hertzrumble) – believes that Creed II is the best Rocky sequel. 

Raquel Stecher (@RaquelStecher) – Classic movie blogger, workout and training montage expert.

Clips Contained in this Podcast:

Ryan Coogler discusses origins of Creed

“Gonna Fly Now” – Bill Conti

Creed trailer

A Shot in the Dark clip

NBC Saturday Night promo (1989)

“Go For It” – Joey B. Ellis 

HBO Boxing Intro from the early 80’s

Creed clip “Training”

Creed II trailer

Rocky III clip – “Apollo’s offer’

Rocky IV clip – “I must break you”

“Runnin” – Ludwig Göransson (w/ ASAP Rocky, ASAP Ferg, and Nicki Minaj)

Rocky III clip: “Ding ding.”

“Fight in Moscow” – Ludwig Göransson

RKO Radio Pictures beep beep

“Last Breath” – Future

Cinema Shame Rocky Shop

Cinema Shame’s Rocky/Creed store on Amazon (browse and support the show!)

Creed – Blu-ray
Creed II – Blu-ray
Rocky I-VI – Rocky Heavyweight Collection on Blu-ray

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Recorded in December 2018. Copyrights are owned by the artists and their labels. Negative dollars are made from this podcast.

2019 Shame Statement

Time for another year of penance. I know I haven’t been consistently writing, but I definitely am still consistently watching. One thing I try to do each year is expand my knowledge of a genre. Last year it was supposed to be westerns and I managed to get a few first time watches in. This year I’m going to move onto comedies.

The journey into comedies is inspired by my discovery and newfound love of screwball comedies after watching His Girl Friday for the first time in November 2018. I followed up with Bringing Up Baby and His Favorite Wife and wouldn’t you know? I liked something new that I had no idea I would. Hence 2019 will be exploring humor. Here’s gonna be some of them I certainly plan to watch:

The Naked Gun Trilogy – All I’ve seen of these films is the “that’s my policy” bit that spoofs Dirty Harry. That’s all I needed to see to decide it’s finally time to knock these off the list.

Joes vs The Volcano

Inspired by CinemaShame’s very own James Patrick, I hear about how much this film means to him, so I need to see what is going on. I like hearing when movies are special to people that aren’t the usual suspects.

Young Frankenstein

I’ve been working on my Mel Brooks watching for a while now. Yet I’ve still haven’t seen his magnum opus. I own it, so it should be one of the first I knock off this year.

That Thing You Do!

Some more Tom Hanks here.

Chasing Amy

One of many still unwatched Criterion disc. Also the one Kevin Smith film I was always genuinely interested in.

So this is the opening salvo. Obviously subject to change. Or not at all. Here’s to 2019 and all your first time viewing!

Getting on the Same Page: His Girl Friday and How I Learned to Stop Worrying and Love Comedy

HIS GIRL FRIDAY is a film that I hadn’t seen and hadn’t sought because it was one that I thought I would never have had an interest in. I like comedy, but I never had an interest in classic Hollywood screwball comedy. That is until earlier in 2018 when I watched Greta Garbo in NINOTCHKA via FilmStruck (RIP’). I found myself rolling with laughter at deadpan humor exhibited by the amazing Garbo. Had I been wrong all these years? Can I, a man born in the 1980s find humor in classic cinema? I love classic cinema and was surprised that this was an area that I never broke into. I purchased HIS GIRL FRIDAY, during the July 2018 sale at Barnes and Noble. Since this was not only an unopened Criterion, it was a film I never saw as well and therefore was perfect for this November 2018 prompt.

In the supplemental features of the Criterion edition of HIS GIRL FRIDAY, film scholar David Bordwell discusses how the film is one of the most American films ever made. This wasn’t just in terms of the ideology or sensibilities portrayed on screen, but in the filmmaking process. Director Howard Hawks was considered to be one of the great American directors who is not a household name. I can see why this is. Hawks manages to keep your eyes strictly on what is on screen without you paying attention to how he sets up, blocks, lights and all those things related to the process of filming. This is the opposite of someone like Stanley Kubrick (one of my favorite directors), who has your eyes on screen and you notice how he puts it on screen. While both ways work perfectly, you can see why a defined visual style sticks in folks memory much longer. However with HIS GIRL FRIDAY, you don’t need a visual style. For this film, the viewers are given one of the fastest, snappiest and wittiest films ever.

HIS GIRL FRIDAY, is the second adaptation of the play The Front Page by Ben Hecht and Charles MacArthur. The first was directed by Lewis Milestone in 1931 under the same name. That film, also included on the Criterion, I felt had a bit more flourishes in regards to the direction as opposed to Hawks. It also felt like a filmed stage play. Yet while entertaining it lacks Rosalind Russell who outshines Cary Grant like the sun sitting next to a light bulb. Her breakneck delivery of the film’s razor sharp dialogue is one of the best performances I’ve seen. It’s also quite physical without becoming slapstick. This is where my eyes opened to classical Hollywood comedy. It was the delivery that made me laugh, even if the joke itself was outdated. I will say, the Ralph Bellamy bit was a fantastic piece of fourth wall breaking.

This film also doesn’t let you forget that it’s based around the world of newspapers and newspaper writing. The film’s humor never detracts from this premise and also manages to never go into parody no matter what left turns the story takes. Hawks excelled in keeping the whole thing balanced and none of the film’s strengths ever got so high that it felt it was covering up a weakness.

HIS GIRL FRIDAY, is a great piece of cinema comedy and engaging as a look into the journalism business. The back and forth humor was some of the best I’ve ever seen in a film and the world of classic Hollywood comedy is a bit broader to me now and something I seek to understand much more thoroughly.